DD LOCAL: TRADITIONAL MUSIC SESSION EVERY WEDNESDAY AT MCINTYRE’S BAR DUNKINEELY

first_imgDunkineely Community NewsDOWN SYNDROME IRELAND – We received a letter of thanks from Downs Syndrome Ireland to say they would like to offer a sincere thanks to everyone who helped to host and attended the DCL Icecream Party last month as it raised €120.46. Well done everyone!WALKING GROUP – Meets every Tuesday morning at 10:00 am for a walk or stroll of about 30 – 40 minutes with a cup of tea afterwards if you want. All are welcome to join this group. Contact Marie Hutchinson or the Dunkineely Community Limited Office if you are interested: 074 9737678. MC INTYRE’S BAR – Every Wednesday night have Traditional music from 10:00 pm, also Traditional music session in McIntyre’s Bar, Dunkineely on Sunday afternoon at 5pm. All musicians and singers welcome.THE DUNKINEELY MONTESSORI – Are still currently enrolling for September 2014. Both ECCE places available and also mornings. Call Joanne or Sinead on: 087 3814655A MEETING – Of the DCL Dunkineely, Killaghtee and Bruckless Festival sub-committee will take place on Thursday 17th July at 8pm at Dunkineely Community Limited office (The Manse, Dunkineely). All welcome.DUNKINEELY/KILLAGHTEE/BRUCKLESS FESTIVAL – This is the last chance to enter the “Open Photography Competition”. Senior Photography, CLASS 1 Humorous Photography, CLASS 2 Landscape i.e Sea or Land, CLASS 3 Portrait i.e Person or Animal, CLASS 4 Best Filter i.e Smart Phone Photos. €5.00 per entry. Place your Name, Address and Contact number on the reverse of the photograph clearly marking the CLASS you want to enter. Closing date is Friday 18th July. Post your entries to Dunkineely Community Limited’s Office, Main Street Dunkineely, or just drop them into the DCL Office. Keep a look out on Dunkineely Community Limited’s Facebook page. Dunkineely/Killaghtee/Bruckless Festival – are also having an “Open Art Competition”, Categories include: LANDSCAPE, PORTRAIT, SKETCH OR DRAWING. €5.00 per entry. Place your Name, Address and Contact number on the reverse of the photograph clearly marking the CLASS you want to enter. Closing date is Thursday 31st July. Post your entries to Dunkineely Community Limited’s Office, Main Street Dunkineely, or just drop them into the DCL Office. Keep a look out on Dunkineely Community Limited’s Facebook page.DUNKINEELY IN BLOOM – This competition will brighten up the town and surrounding area. From St John’s Point to Croagh and Tullintain to Ballymagowan – if you’re in the Parish of Killaghtee, please consider entering. No fee to enter as Dunkineely Community Limited has funding from Donegal Local Development Company. We’ll be looking for winners of categories such as:Best Business > Best small town garden > Best Church > Best school > Best vegetable plotBest large garden > Best container garden etc.The main winners will be the community of Dunkineely, Bruckless and Killaghtee area if we all take part however small or big a garden plot/place for window boxes/pots we have. Judging will take place Sunday 10th August but the main winners will be the community of Dunkineely, Killaghtee and Bruckless area. Entry forms available from the Dunkineely Community Limited Office and in local business’s in the Community. “This is a great Community event if we all get involved!” If you are interested contact Dunkineely Community Limited Office on 074 9737678 if you’d like enter or help organise in anyway.BRUCKLESS ROAD RUNNERS – THE POINT 10K CHARITY FUN/RUN/WALK – Is taking place in Dunkineely on Saturday 16th August 2014 at 11:00 am (Same route as last year). The chosen charities for this year’s event are Billy’s World Ireland and Clara House Killybegs – (Day Centre for Intellectual Disabilities). Everyone welcome! Contact Pauric McNern for further information.A DEFIBRILLATOR – Is now in Killaghtee School, it is on the wall closest to the road. The following people are trained and key holders:Andrew Walker – 087 2276366 Carol Duddy – 074 9737046Norman Henry – 087 9474350Phyllis Young – 087 1300499Clive Vance – 086 8276575Georgina Armstrong – 087 3921384.There is also a key in the following places: Dunkineely Health Centre, Dunkineely Community Limited Office and Killaghtee School.DCL – Has a library of over 500 books from Children’s Literature. (Roald Dhal’s Matilda, James and the Giant Peach, The BFG to J.K. Rowling’s Harry Potter and the Philosopher’s Stone & The Goblet of Fire), Classics (J.R.R. Tolkien to Marian Keyes), Horror, Comedy, Booker-Prize etc. Rent a book from just 20c or perhaps DVD’s, Lego Batman or The Patience Stone from just 50c per night.Come into the office weekday mornings from 9:30 – 12:30 pm and use the Internet (20c per half hour) or Print Documents (20c per page).Please note that Dunkineely Community Limited office has changed it’s number to 074 9737678.DD LOCAL: TRADITIONAL MUSIC SESSION EVERY WEDNESDAY AT MCINTYRE’S BAR DUNKINEELY was last modified: July 14th, 2014 by Mark ForkerShare this:Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to share on LinkedIn (Opens in new window)Click to share on Reddit (Opens in new window)Click to share on Pocket (Opens in new window)Click to share on Telegram (Opens in new window)Click to share on WhatsApp (Opens in new window)Click to share on Skype (Opens in new window)Click to print (Opens in new window)Tags:DD LocalDunkineelyFeaturesMcIntyre’s BarNoticeslast_img read more

Raiders Straight Talk: Dumping Antonio Brown saved the season

first_imgALAMEDA — The Raiders became a playoff contender the day they released Antonio Brown.It’s not a topic players or coaches are interested in talking about on the record nine games into the season, not when they’re 5-4 and surprising everyone but themselves.Some of the league’s smartest minds have made accommodations for the peculiarities of star players. Bill Walsh and Charles Haley. Bill Belichick and Randy Moss. Al Davis and . . . too many to count.Coach Jon Gruden and general manager Mike …last_img read more

Perdue Talks Trade at Classic

first_imgShare Facebook Twitter Google + LinkedIn Pinterest By Jerry HagstromDTN Political CorrespondentORLANDO, Fla. (DTN) — Comparing President Donald Trump’s expected meeting with Chinese President Xi Jinping to conclude a new trade agreement to Trump’s recent meeting with North Korean leader Kim Jong Un, Agriculture Secretary Sonny Perdue said here Friday that a Trump-XI meeting could end “successfully or very detrimentally” for American agriculture.Trump walked away from his meeting with Kim in Vietnam because he decided the terms were not good enough, and the president “won’t sign an agreement that can’t be enforced,” Perdue told reporters after a speech at Commodity Classic, the gathering of more than 4,000 corn, soybean, wheat and sorghum growers and their families here.Perdue said he believes the agreement with China could double or triple exports for a wide range of U.S. products, including soybeans, rice, beef, ethanol and tree nuts. But he added that Trump wants China to agree to non-tariff items that will make big purchases possible.Perdue did not get into specifics Friday, but in the past, U.S. officials have said that improvements in China’s biotech approval process is a priority, but with agreements on intellectual property and technology transfer that affect all U.S. industry.A meeting between Trump and Xi has not yet been announced, although there are widespread rumors it will take place at Trump’s Mar-a-Lago Club resort in Florida in March.Perdue also said he hopes that an agreement with China is “imminent,” but he also told reporters that farmers may have to plant their crops while the negotiations continue.Farmers will have to make their decisions “based on market signals,” Perdue said, noting that they have always had to make decisions while dealing with uncertainty, and this year those uncertainties may include the relationship with China.Greeting a crowd that is beset with low commodity prices, incomes that have fallen and questions from bankers as spring planting approaches, Perdue opened his speech by acknowledging that “farming is tough” and that farmers are “burning through” capital they built up during the 2008-to-2013 period when commodity prices were high.Perdue also alluded to farmers’ reputation for complaining even when times are good, as he noted that when he was governor of Georgia, a farmer said he used to “whine,” but unfortunately the whine had come true.Perdue quickly added that he did not want to make light of the situation.Perdue acknowledged that some of those producers burning through capital are young farmers and said that his message to them is that their fathers and grandfathers had gone through tough times as well. He noted that USDA has direct and guaranteed loans that may be of help to them. The good years had attracted the children of farmers back to the farm, Perdue said, and if they can hang on, “I am bullish on agriculture.”Perdue also declared that the Environmental Protection Agency will issue a rule by June 1 for gas stations for year-round sale of E15, a type of gasoline that contains more ethanol than the E10 that is usually sold. Current rules do not allow its sale in the summer.Perdue acknowledged that he had misspoken when he said earlier in the week that the rule would not be ready by June 1. Andrew Wheeler, then the acting EPA administrator, told him after the shutdown the agency couldn’t get it done by the summer driving season, but with his confirmation pending, EPA found a way, Perdue said. Wheeler got confirmed this week.Jerry Hagstrom can be reached at jhagstrom@njdc.comFollow him on Twitter @hagstromreport(CC/AG)© Copyright 2019 DTN/The Progressive Farmer. All rights reserved.last_img read more

HBO’s New Documentary “Spielberg” Is a Must-See for Aspiring Directors

first_imgHBO’s “Spielberg” is more than a biography, it’s a mini masterclass detailing some of the most influential scenes in the history of American cinema.Cover image via HBO.Warning: contains spoilers!The opening scenes of HBO’s newest documentary, Spielberg, might leave you at a loss of words. You aren’t expecting the iconic, creeping sunrise of the entrance into the desert sequence from David Lean’s Lawrence of Arabia. Even more, you don’t expect to hear Spielberg say that it was Lean’s masterpiece that “set the bar too high” for the sixteen-year-old filmmaker — and that he no longer wanted to make movies. Fortunately, he didn’t quit.In fact, Lawrence of Arabia was a catalyst for the young filmmaker, who would return each week to watch, analyze, and dissect the film.It was the first time seeing a movie [wherein] I realized there are themes that are not narrative story themes, but themes that are character themes … David Lean created a portraiture; surrounded the portrait with a mural of scope and epic action; but at the heart and core of Lawrence of Arabia is “Who am I?” —Steven Spielberg, SpielbergIt’s the question “Who am I” that defines the arc of Spielberg’s career and serves as a focal point in Susan Lacy‘s newest documentary on one of American cinema’s greatest filmmakers.Video via HBO.What Can Aspiring Filmmakers Learn from Spielberg?The documentary is epic in scope: a veritable 2.5 hours of Spielberg unpacking pivotal scenes from films like Munich, Schindler’s List, Close Encounters of the Third Kind, as well as several of his lesser-known early films and flops.Aspiring directors, screenwriters, and cinematographers can glean strategies and approaches for creating memorable and relatable characters, crafting visual stories using the tools of the cinema, and how Spielberg thrived in uncertain situations.But perhaps more importantly, we see the man behind the movies. And for those of us who grew up watching those movies, it’s a dose of inspiration on par with rapture.On Visual StorytellingImage via British Film Institute.For me, directing is camera work. So I’m very on the frontline of that. I’ve got to set up the shot, I’ve got to block the actors, choreograph the movement of the scene, bring the camera into the choreography, figure out where the camera stops, where it moves, how far it moves … so I’ve always got my eye on the lens and that’s what I do. —Steven Spielberg, SpielbergIt’s evident, even in his earliest films, that Spielberg understands the medium; he just gets “camera work,” as he calls it. Moreover, he doesn’t rely on dialogue, music, or any sound effects to tell a story. In other words, he uses the visual nature of moving pictures and images to propel the narrative forward.To demonstrate this, turn off your sound, and watch this nail-biting scene from Munich.Video via YouTube.Without hearing a single line of dialogue, or swell in music, we know the following about the scene:The scenario (or location).The players involved.The stakes.The ticking clock.All of the things necessary for creating suspense.“Geography is one of the most important things to me,” says Spielberg, “so the audience isn’t thrown into chaos trying to figure out the story that you’re telling.”In this scene from Munich, Spielberg made deliberate choices about subject, camera placement, and movement. Not a single shot appears unless it earned its way into the reel — and thus propels the story forward. As audience members, we get a clear picture of who and where the players are — and in this case what would happen if the clock runs out.This is an excellent scene for directors and cinematographers to study.On LightingImage via I Can’t Unsee That Movie.Everything we do in this medium is about light and shadow. It’s how the cinematographer lights the actors, lights the set. —Steven Spielberg, SpielbergGood lighting makes your actors look pretty; great lighting tells a story. Schindler’s List is an excellent example of this. Spielberg, working alongside his long-time friend and go-to cinematographer, Janusz Kaminski, crafted lighting setups that emphasized the personality and emotions of the characters at different stages of the story.Let’s examine the approach taken to light Amon Goethe and Oskar Schindler, the story’s main antagonist and protagonist, respectively.Amon Goethe, played by Ralph Fiennes, is a Nazi officer who is inhumane and unapologetically cruel in his treatment of Jews. Although he’s an extremely nasty fellow, he is never conflicted by his actions. You’ll notice in the film that he’s always lit beautifully from the front, with very minimal shadows — his character (and conscience for that matter) was very clear.In contrast, Oskar Schindler was a conflicted individual. Beginning the story as a shrewd businessman and member of the Nazi party, he slowly begins to question the morality of his by-standing. During this time of inner conflict, his lighting is directional and from the side, creating shadows on his face (see picture above). However, as the film progresses, his inner conflict subsides, and he’s lit with more frontal, softer light, because he’s learning who he is.Find opportunities to use light as a storytelling device — not only a means to expose your shot.On Uncertainty and FailureImage via Whale Bone Mag.There are going to be moments, where you get to set, and you are not going to know what the hell you’re doing. It happens to all of us; you’ve got to guard that secret with your life. Let no one see when you’re unsure of yourself … or you lose the respect of everyone. —Steven Spielberg quoting his mentor Henry Hathaway, SpielbergFailure is not optional — at least not for filmmakers. What Spielberg teaches us is that, with a little creativity, failure can lead to great success. There’s no better film that demonstrates this than Jaws.You may have heard the stories of the shark breaking down and sinking … all of it’s true.The original script for Jaws featured the shark everywhere, and it called for the great white to be on-screen far more often than what we saw in the finished film. However, due to frequent breakdowns and mechanical failures, the shark was in repair for a majority of the 100+ day shoot.Therefore, Spielberg and his team had to get creative. How could they employ a device that suggested the shark was near without actually showing the shark on-screen?“The yellow barrels were a godsend,” says Spielberg, who used the props to indicate that the shark was near and ready to attack. Paired with John Williams‘s, unforgettable score, the audience knew exactly when the shark was about to strike … and we were terrified.“If the shark had been available visually,” says Williams, “it would’ve changed the whole psychology of the experience.”Image via The Soul of the Plot.Spielberg premiered on HBO on October 7.Looking for more filmmaking inspiration? Check out these articles.Navigating the Challenges of the One-Take Short FilmA Look Inside the Post-Production Process Behind “It”Interview: Director of Photography Jake Swantko of Netflix’s Icarus“Five Came Back” — Lessons from Famous Directors During WWIIThe Power of Shooting with a Shallow Depth of Fieldlast_img read more

BHU PMT results: Banaras Hindu University Pre Medical Test results likely to be declared today

first_imgBHU PMT results are likely to be announced todayThe results of BHU PMT 2011 (Banaras Hindu University Pre-Medical Test) are expected to be declared on Tuesday, June 14.The PMT results will be available on the websites www.bhuresults.nic.in, http://upresults.nic.in/ and http://bhuresults.nic.in/.More than 3,000 candidates appeared in the BHU-PMT (mains) 2011 held on June 12 across seven examination centres.A total of 3,669 candidates had qualified for main examinations after clearing the BHU-PMT screening held on May 8.For more news on India, click here.For more news on Business, click here.For more news on Movies, click here.For more news on Sports, click here.last_img read more