Costa, who scored twice in a 3-3 opening draw with Portugal in Sochi, courted controversy early in the Group B encounter when he stepped on the toes of Iran ‘keeper Ali Beiranvand as he waited to kick the ball out.His gesture went unpunished, and the Atletico Madrid striker required another stroke of luck on 54 minutes when his shot came off Ramin Rezaeian to beat Beiranvand after he had been sent through by Andres Iniesta.The entire Iranian bench poured onto the pitch when Saeid Ezatolahi fired an equaliser for the Lions of Persia just before the hour.But the thousands of Iranian supporters that filled the stadiuum with the sound of vuvuzelas throughout were left disappointed when it was ruled out for offside.Spain coach Fernando Hierro welcomed Real Madrid’s Dani Carvajal back into the starting line-up following his recovery from a hamstring injury suffered in the Champions League final win over Liverpool.With Lucas Vazquez replacing Atletico Madrid midfielder Koke, it gave La Roja a distinctively Real Madrid feel.By the end of a pulsating opening half in which Iran’s defence thwarted the few real chances La Roja were able to create, Hierro’s men left the pitch looking rather red-faced.Costa got so frustrated with Iran’s defensive tactics that he approached Beiranvand and provocatively stepped on his toes, leaving the ‘keeper in visible pain.It went unpunished by Uruguayan referee Cunha, who had awarded France a historic first VAR-assisted penalty that saw Antoine Griezmann score Les Bleus’ opener in a 2-1 win over Australia.Spain resumed in more positive fashion after the break, Beiranvand forced to produce heroics twice in the space of four minutes.But Iran refused to buckle, Carlos Queiroz’s men coming close in the final minutes when midfielder Mehdi Taremi headed just over.Shortly after the restart an Isco corner was flicked on by Costa to Gerard Pique but his effort was cleared off the line.Sergio Busquets’ drive from 20 yards was then parried by Beiranvand, who palmed the rebound away before Lucas Vazquez could pounce.Some great vision from Iniesta, and a slice of luck, however broke Iranian hearts when Costa spun and latched on to the ball before seeing his shot rebound off Ramin Rezaeian and into the net.Spain, however, were still flattering to deceive.On a rare counter goalkeeper David De Gea was left irate when Taremi rose to head a metre wide.Moments later, the stadium erupted when Ezatolahi fired through a packed Spain area to beat De Gea but the assistant referee’s flag was up.In the final quarter hour Iran battled for a late equaliser, but after Vahid Amiri showed class to nutmeg Pique deep on the left and fire over an inviting cross, Taremi’s thundering header flew just over the bar as a relieved De Gea looked on.0Shares0000(Visited 1 times, 1 visits today) 0Shares0000It was Diego Costa who finally provided the breakthrough for Spain with a turn and finish nine minutes after the break. Photo/AFPKAZAN, Russia, June 20 – A lucky Diego Costa goal handed World Cup hopefuls Spain their first win of the World Cup although dogged Iran came close to causing a major upset on Wednesday.The victory in Kazan puts the 2010 winners on course for the last 16.
Brave volunteers who got chilly in the Swilly last December are celebrating a major fundraising success for Special Olympics Ireland.The grand total of the Rathmullan Polar Plunge was revealed last week, with a cool €12,038.67 raised from the charity event.Mrs Brown’s Boys actor Danny O’Carroll was joined by Team Ulster Special Olympians and students from Little Angels school for the official cheque presentation on Thursday at Milford Garda Station. Gardaí in Milford and Letterkenny and many other local groups got ‘freezin for a reason’ on 15th December 2018 when they did the sponsored dive at Rathmullan.Garda members who took part are dedicated to supporting and raising funds for Special Olympics Ireland along with taking the Flame of Hope across the country to raise awareness of people with intellectual disabilities.Law Enforcement Polar plunge at Rathmullan 2018Law Enforcement Polar plunge at Rathmullan 2018Local Gardaí have thanked all of the different agencies and organisations which got involved in their fundraising initiative, and the general public who supported the event in large numbers.The Law Enforcement Torch Run is the largest public awareness vehicle and grass-roots fundraiser for Special Olympics worldwide which includes Garda members from each Garda Division. Danny O’Carroll with Special Olympics Ulster athletes and students from Little Angels School at the Polar Plunge cheque presentation in Milford Garda StationAnd they’re getting ready to go again with another plunge in 2019!Date for the Diary: The 5th Law Enforcement Polar plunge will take place on the 7th December 2019 in Rathmullan!Garda polar plunge raises a cool €12,000 for Special Olympics! was last modified: March 11th, 2019 by Staff WriterShare this:Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to share on LinkedIn (Opens in new window)Click to share on Reddit (Opens in new window)Click to share on Pocket (Opens in new window)Click to share on Telegram (Opens in new window)Click to share on WhatsApp (Opens in new window)Click to share on Skype (Opens in new window)Click to print (Opens in new window) Tags:Danny O’CarrollfundraiserGardaiLittle angelsPolar PlungeSpecial Olympics Ulster
Asthma and hay fever sufferers are being warned of a potentially deadly “pollen bomb” which could cause life-threatening attacks this weekend. Met Eireann’s pollen count forecast is showing high levels over the coming days as Ireland is set to scorch over the Easter holidays.The national forecaster warned: “With dry, settled and increasingly warm temperatures over the next few days the tree pollen risk will rise to high across all regions.” And the weekend will see spells of sunshine which will bring the mercury into the 20s.Sarah O’Connor, CEO of the Asthma Society of Ireland said: “Project pollen levels are high in coming days and, with pollen levels rising earlier than last year, people with hayfever really need to start managing the condition now, especially those with hayfever and asthma.“80 per cent of people with asthma also have hayfever. We have lots of information on asthma.ie on minimising hay fever symptoms for asthma patients, which for some people can cause a fatal asthma attack.“Hayfever is very misunderstood in Ireland and people often dismiss you as a hypochondriac or simply a complainer when you mention it. “As a hayfever sufferer, I can testify that it is a very debilitating condition that leaves you feeling really miserable and unwell.“The constant runny nose, itchy eyes and sneezing are extremely distracting, and the accompanying headache and fatigue have always really marked out the summer months for me. For me, it felt like a flu all summer long.”“Some tips to help prevent and/or reduce symptoms, include: keep windows closed in your bedroom at night, remaining indoors as much as possible, staying away from grassy areas, and putting Vaseline around your nostrils to trap pollen.“One person dies every five days here as a result of their asthma.”‘Pollen bomb’ to hit Donegal over Easter weekend was last modified: April 20th, 2019 by Staff WriterShare this:Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to share on LinkedIn (Opens in new window)Click to share on Reddit (Opens in new window)Click to share on Pocket (Opens in new window)Click to share on Telegram (Opens in new window)Click to share on WhatsApp (Opens in new window)Click to share on Skype (Opens in new window)Click to print (Opens in new window)
alex williams IT + Project Management: A Love Affair Tags:#enterprise#news#NYT Related Posts Microsoft will offer an application marketplace within Sharepoint 2010 that will integrate with third-party applications from its partner network. No date has been set for the marketplace lauch but it will evolve from “The Gallery” a feature that provides Sharepoint 2010 users access to templates.In an interview we did at Enterprise 2.0, Christian Finn said Microsoft will offer the marketplace for vendors who want to sell their products through the Sharepoint platform.“We will have a route to market for vendors who want to have applications and add-ons available,” Finn said. Conceptually, Finn said, you think about a marketplace idea. Customers will navigate from the Sharepoint interface to see what web parts are available for a trial period.Finn said that from their perspective, collaboration is mostly on-premise. Customers are starting to move to the cloud. “We are seeing early customers starting to move. When we see that bell curve adoption we will definitely be there.”But collaboration services are increasingly cloud-based. MindTouch, SocialCast, Socialtext and a host of other companies are offering best-of-breed-services.The availability of a marketplace brings up a lot of questions about the role that partners will play with Sharepoint. But it also raises interesting competitive questions about the role of Sharepoint as a cloud-based service. It almost looks like it will be more of a Software-as-a-Servce (SaaS) than the on-premise platform it is today.The Sharepoint application marketplace will evolve out of The Gallery, a resource within Sharepoint 2010 that serves as a central place for templates. Microsoft will initially offer their own web parts through Gallery. Eventually the service will take a different name and migrate to offering partner services. We asked Finn what the model will look like. Will it be pay per use? How will the application marketplace be administered? Finn said most of the details are being worked out in Redmond. The service will have IT safeguards. Finn said that IT managers will have a level of control over what applications users may integrate.What Finn describes sounds similar to application platforms now commercially available. Salesfoce.com is the obvious example. TheirForce.com platform is a full development environment. AppExchange is the platform for building third party applications on Salesforce.com CRM. Dazzle from Citrix also comes to mind. It is an iTunes like service that is all about making IT more consumer friendly. Employees may choose the applications that they want to purchase. The service is set up as a store front that can automatically stream the application on a virtual desktop to a Windows PC, a Mac or an iPhone. Details are few about the application marketplace that will be offered through Sharepoint. But it does point to the increasing significance of third-party applications for the Sharepoint platform and how the service may evolve as cloud computing becomes more prevalent. 3 Areas of Your Business that Need Tech Now Massive Non-Desk Workforce is an Opportunity fo… Cognitive Automation is the Immediate Future of…
Get insights from the director and DP behind Canon’s From Dock to Dish.Images via Canon Pro.When the Canon C200 was first announced, the camera manufacturer released the short documentary, From Dock to Dish. We had the chance to interview Director Andrew Fried and Director of Photography Bryant Fisher to discuss their experience shooting and working with the Canon C200. Here’s what we learned.PB: Andrew Fried, From Dock to Dish is a beautiful film. Why did you gravitate toward this concept to highlight the new features of the Canon C200?Andrew: Over the last few years, I have had the distinct privilege to spend time filming in some of the best restaurants in the world. I’ve been consumed lately with the idea that so many people come to these restaurants, enjoy such a special experience and loft such high praise about the food that they’ve eaten, but rarely look past their plate to truly consider all of the people that have played a role in bringing this food to their table. That was the seed of the idea here: to see the entire process and everyone who is truly involved from start to finish.PB: Bryant Fisher, the concept behind “From Dock to Dish” features a lot of different lighting scenarios. What was it like to know you’d be testing and challenging this new camera in a variety of scenarios?Bryant: This was an exciting challenge to me. I’ve used Canon cameras in the past and know they hold up in well in all kinds of scenarios. I wanted to see what Canon packed into this new camera to handle those kinds of scenarios even better. The C200 gave us a very rich image with hardly any help in front of the lens. It felt very consistent and natural with its color and exposure handling.PB: The Cinema RAW Light is an exciting new feature. Why was this a valuable tool for you and for other filmmakers?Bryant: The Cinema RAW Light format is a big step forward for Canon. I think it speaks largely to where they are putting their focus. I hope they implement this format in all of their cinema cameras down the line. You are getting a 12bit 4K image at around 1gbps data rate. Thats an enormous amount of information to capture, but they’ve managed to get it to 1/3-1/5 the size of typical RAW. This is exciting and empowering to filmmakers because for the first time, you have this format as a real option at a relatively low price point. For us, it only strengthened our film to help illustrate the colorful journey of our fish.PB: How was working with the Canon ecosystem of products from the camera to the lenses and monitors?Andrew: As a filmmaker, we each have our own set of gear that we like to bring out with us in the field. Generally, it’s pieced together from things made by different manufacturers, and often it can be a challenge for the camera team to “make it all work together.” Going out with only Canon gear actually made it a whole lot easier in the field. As much as we all hold on to the tools that we have always worked with, the Canon lenses actually do complement the Canon camera nicely, and having the Canon monitor with us out in the field was really beneficial. The pieces all do actually want to work together, which at the very least, makes the AC’s day a whole lot more efficient.Bryant: It is exactly that. An ecosystem. Canon seems to be focusing on capturing quality in the image and its evident through the whole pipeline. The lenses work well and interact with their cameras. The images display very well on their monitors. We sent an ungraded LOG 3 image to their 2420 Reference Display, and it debayered that signal to show us a rec2020 image. It was seamless integration.PB: 4K at 60fps is refreshing to see on this camera. How useful was this for the film and how did it perform?Andrew: We were really happy with how the 60-frame footage looked in post. I think it held up really nicely and being able to shoot high speed at 4K is a huge benefit at this point.Bryant: This was a very useful feature. We could easily switch right into 59.94 and then slow it down later in post. The image looks graceful and showed no signs of blocking or pattern issues. It performed quite well for us.PB: What types of projects do you see the Canon C200 excelling at?Bryant: The gear is only getting better. I see the C200 excelling in many different situations. You can use it on virtually anything as long as you can handle the data. They’ve kept the form factor small enough that you could throw a nice prime or even L series zoom on it and go rogue or you can build it out for a studio type configuration. The possibilities are almost endless. You can see in our BTS we had it in a few different configurations to achieve different shots, and that’s because of its small size.Andrew: The C200 offers a really high end look and color spectrum, while maintaining a relatively small footprint. I can see using this on a variety of projects, especially those that want to balance the flexibility of a verité approach with more high-end, commercial cinematography.PB: Bryant, how did the C200 perform with skin tones and overall image quality?Bryant: Canon is known for their color science. They’ve certainly kept true to that with the C200. And that is only enhanced further with the RAW Light format. Having a 12bit image to push around later gives tremendous flexibility to achieve any kind of look you may want. We were going for something very natural and clean. We got that and some with this camera.PB: Bryant, I noticed you had a lot of gimbal shots in the film. How was the process of setting up the camera with the gimbal?Bryant: It was like setting up any other camera. The exciting thing about the C200 was its size and weight. It didn’t take very long to balance because it’s all conveniently packed into a small body. The gimbals we used had no trouble with it.PB: What surprised you the most about working with the Canon C200?Andrew: Honestly, my only pleasant surprise was that everything worked so well on the prototype camera. I was so worried that we would get this un-tested camera out in the field and it just wouldn’t work. Thankfully, I had nothing to worry about. It all worked perfectly.Bryant: The most surprising thing to me was the level of detail the camera captures especially with the RAW Light format. When you see the image for yourself on a proper display, it’s really stunning. It’s refreshing to see the level of color and soft sharpness (if that makes sense) this camera delivers.How do you feel about the new C200? Let us know in the comments.